Art Exhibition Nataliy Schenkmann in Koblenz: Experience Painting and Portraits
Date and Time
Location
About this Event
Mood
Venue Type
Art Exhibition Nataliy Schenkmann: Painting with a City View and Soul
In the studio of Nataliy Schenkmann, an art experience is created that uniquely combines painting, drawing, and the atmosphere of a lived workshop. The exhibition on November 30, 2026, at 15:00 showcases new works featuring cityscapes and portraits, leading directly into a visual engagement with architecture, human presence, and urban memory. ([koblenz.de](https://www.koblenz.de/externe-datenquellen/deskline-veranstaltungen/83f6b7b2-4272-4759-9fdd-d80e62c06728%3A4853/kunstausstellung-nataliy-schenkmann/))
Between Portrait, City, and Psychological Space
Nataliy Schenkmann demonstrably works with painting, graphics, drawing, performance, object art, and installation; her expressionistic works combine literature and visual art, focusing on people, architecture, and the psychological riddle of the environment. Her visual language employs acrylic and oil paints on canvas or linen, using varnish for nuanced effects. This complexity also shapes the exhibition atmosphere in Koblenz. ([vhs-koblenz.de](https://vhs-koblenz.de/ueber-uns/unsere-kursleitungen/nataliy-schenkmann-4685677))
Koblenz Motifs, Cultural Landscapes, Lively Memory
The reference to the region is particularly striking: Schenkmann intertwines literature and painting in her works, addresses the city history of Koblenz-Ehrenbreitstein, and develops images that recall the New Objectivity while also embodying grotesque and exaggerated features. The Cultural Summer Rhineland-Palatinate moreover describes the project Three Ways to the German Corner as emerging from hikes through the Eifel, Westerwald, and Koblenz. Thus, the examination of the works becomes an aesthetic experience of place and time. ([kultursommer.de](https://kultursommer.de/kunstschaffende/nataliy-schenkmann/))
An Exhibition with Artistic Educational Value
For art-interested visitors, the exhibition not only opens up new motifs but also provides a well-founded access to contemporary painting and curatorial practice. Schenkmann works as a freelance artist, lecturer, and curator, is a member of BBK Bonn and KM570, studied at the University of the Arts, and was awarded the Citizen's Prize for Cultural Engagement in 2006 and nominated for the International Art Prize Lucas Cranach in 2011. This adds professional depth and authority to the exhibition. ([vhs-koblenz.de](https://vhs-koblenz.de/ueber-uns/unsere-kursleitungen/nataliy-schenkmann-4685677))
Conclusion
Those who wish to experience painting as a mirror of city, human, and memory will find in this art exhibition a concentrated, personal, and at the same time art-historically relevant place. A visit to Nataliy Schenkmann's studio is worthwhile for all who want to rediscover Koblenz from an artistic perspective. ([koblenz.de](https://www.koblenz.de/externe-datenquellen/deskline-veranstaltungen/83f6b7b2-4272-4759-9fdd-d80e62c06728%3A4853/kunstausstellung-nataliy-schenkmann/))
Official Channels of Nataliy Schenkmann:
- Instagram: No official profile found
- Facebook: No official profile found
- YouTube: No official profile found
- Website: https://nataliy-schenkmann.de/
